Archive for November, 2009

November
25th 2009
‘Dancing With The Stars’ Results: Donny Osmond Is Your Season Nine Winner

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Another season of “Dancing with the Stars” came to a close last night, and in a fairly ridiculous upset, Donny Osmond ended the night walking out with that wacky mirrorball trophy. Mya, who by all accounts should have walked away the champ, came in second, and Kelly Osbourne ended up in third place.

Here’s the thing: It’s not that Donny Osmond is a bad dancer. He worked extremely hard over the course of the season and never really had an off night. And he was certainly an underdog coming into the finale, considering how much older he was than the other finalists and how limited his costume choices were week to week (anybody who doesn’t think that the scantily-clad ladies on this show don’t have an advantage is sorely mistaken). But if they really wanted to reward sheer skill, you can’t argue with Mya. On the other hand, Osbourne has been by far the better underdog story, having spent some time facing elimination and coming through some truly disastrous dances and at least one minor injury. The Osmond victory feels a little milquetoast, but perhaps ABC was just playing it safe following Lambertgate.

Now that the season is over, what have we learned? “Dancing with the Stars” may have hit the wall this season, as the entertainment factor was wildly inconsistent from episode to episode. The stories that did emerge (especially Osbourne and the bipolar struggle of Aaron Carter) were pretty compelling, but most of the performances have either been delightful disasters or too on-the-nose. For example, was there anything compelling about Joanna Krupa? She was a pretty good (but not transcendent) dancer and didn’t have much of a personality. Where was the joy in watching her every week? If this show wants to have any sort of relevance and entertainment value when it returns next spring, perhaps the script needs to be flipped, perhaps adding a more playful mix of dance styles (the super-progressive “So You Think You Can Dance” makes “Dancing with the Stars” look like a trip to the retirement home in comparison). And let’s trim those results shows — last night’s finale lasted two hours and featured little more than a bunch of middling returns and Osmond singing “Puppy Love.” On the bright side, maybe now Mya can get back to the business of crafting slinky R&B jams.

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November
25th 2009
Adam Lambert Explains His American Music Awards Performance In ‘Frame By Frame’

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Earlier today, MTV News’ Jim Cantiello sat down with “American Idol” runner-up Adam Lambert, who just dropped his debut album For Your Entertainment but has been grabbing headlines this week for an entirely different reason. On Sunday night (November 22), Lambert took the stage at the American Music Awards to perform his single “For Your Entertainment,” which included plenty of pelvic gyrations, an impromptu kiss, Lambert slipping and falling, a handful of missed notes and Lambert’s middle fingers. The performance caused quite a stir, as ABC (the network broadcasting the American Music Awards) received several hundred complaints about it, and it lead directly to “Good Morning America” (also an ABC property) canceling Lambert’s appearance on Wednesday (November 25) morning’s show. (Lambert will still appear on morning television — CBS’ “The Early Show” booked him almost immediately.)

Lambert was candid about his performance of “For Your Entertainment” and the intentions that he had. As a very special part of the interview, Lambert took Cantiello through “For Your Entertainment” step by step, and the video below shows him to be honest and revelatory. Stay tuned for much more from Lambert in the coming days, but for now check out his look back on the event that is already defining his young career.

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November
25th 2009
MTV News Extended Play: Adam Lambert

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MTV News Extended Play: Adam Lambert

The “American Idol” star talks about his provocative American Music Awards performance and his new album, <i>For Your Entertainment</i>.

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November
25th 2009
Lady Gaga Tells Fans ‘It’s OK’ To Be A Freak

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Singer says she hopes fans ‘feel like they have a freak in me to hang out with’ in appearance on ‘Ellen DeGeneres Show.’
By Jocelyn Vena





Lady Gaga performs on the “Ellen DeGeneres Show”

Photo: Michael Rozman/Warner Bros.

With her flamboyant outfits and stage persona, Lady Gaga certainly doesn’t look like a traditional pop star. She admits that she finally feels cool with being that kooky person after years of trying to figure out how to fit in. And, as always, she says it’s all about pleasing her fans.

“The whole point of what I do — the Monster Ball, the music, the performance aspect of it — I want to create a space for my fans where they can feel free and they can celebrate,” she said on “The Ellen DeGeneres Show” airing Friday. “I didn’t fit in in high school, and I felt like a freak. So I like to create this atmosphere for my fans where they feel like they have a freak in me to hang out with and they don’t feel alone.”

Gaga, who sang her singles “Bad Romance” and “Speechless” off her album The Fame Monster, added that she isn’t acting the part of Lady Gaga as some gimmick. This is really her, whether you get it or not.

“This is really who I am, and it took a long time to be OK with that,” she explained. “Maybe in high school you, Ellen, you feel discriminated against. Like you don’t fit in and you want to be like everyone else but not really, and in the inside you want to be like Boy George — well, I did anyway. So I want my fans to know that it’s OK. Sometimes in life you don’t always feel like a winner, but that doesn’t mean you’re not a winner. You want to be like yourself. … I want my fans to know it’s OK.”

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November
25th 2009
Adam Lambert Explains American Music Awards Performance Frame By Frame

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Singer takes us through every controversial, planned and improvised moment of the show.
By Gil Kaufman, with reporting by Jim Cantiello





Adam Lambert

Photo: MTV News

As it turns out, two of the most controversial moments of Adam Lambert’s American Music Awards performance on Sunday night were total ad libs. That’s what Lambert told MTV News on Tuesday, when he sat down to discuss the show-closing set that turned him into a global Internet sensation all over again.

“That wasn’t in the original choreography,” Lambert explained of the bit where he took a male dancer’s head and shoved it into his crotch to mimic oral sex. “I was supposed to look at him, and I just grabbed him. I wouldn’t have done it if I didn’t think he would have been cool with it. … It might look real forceful, but we all respect each other and were doing it in the name of the show.”

Lambert also said that he didn’t know he was going to grab keyboard player Tommy Ratliff and give him a rather full-mouth kiss near the end of the run through “For Your Entertainment,” the title track to Lambert’s just-released major-label debut.

“During rehearsal, I grab him by the hair and kind of just looked at him,” he said, adding that the keyboardist is not married, as had been rumored, but is definitely straight. “He’s straight. He just, I guess, didn’t mind getting kissed in the name of entertainment on stage.”

Though everyone was talking about Jennifer Lopez’s fall on Monday morning, Lambert walked us through his own tumble, which the musical-theater veteran almost managed to play off as part of the show. “My foot got caught on the stair, and I hit the platform and I didn’t know what was going on,” he said of the fall, after which he did a forward roll, picked up a cane and fondled a female dancer while getting back to his feet within seconds. “[I thought], ‘OK, I have to get up and turn around.’ I felt like when you spray a cockroach and its legs are up in the air … At that point the adrenaline was like, ‘Oh my God, I just fell … ahhhh!’ ”

Lambert noted that near the beginning of his appearance, ABC censors dropped out the audio and cut away from him when he gestured to his crotch, saying that he didn’t use any foul language, but someone with an itchy bleep finger simply jumped the gun. “They got scared,” he said. Censors also managed to cut away to avoid showing Lambert giving the finger to all the haters.

In retrospect, he also had to laugh a bit at the moment when he pushed through a mirrored doorway. “Now that I look at it, that moment there of the door, flinging the door open … it’s a good symbol,” he said.

Of all the things that went wrong or in a different direction than he planned, Lambert seemed most annoyed by what he said were the poor acoustics in the Nokia Live Theatre, which may explain why some critics complained that his vocals were a bit pitchy and off. “The Nokia Theatre has really crappy acoustics, actually,” said Lambert, who also tweeted to gossip blogger Perez Hilton about his acoustical problems. “When you hear an album or you’re even at a concert, or anywhere that you’re in an acoustic space, there’s echo from the room and that makes the sound sound cool, it gives it space. [At the Nokia] it’s just, like, dry. It’s a dry mix, so it doesn’t do anybody any favors. I heard some other performers weren’t too happy with some of their sound either.”

On the positive side, Lambert was proud to reveal that the “Phantom of the Opera”-style, gothic piano intro to the performance was written by none other than famed David Bowie collaborator Mike Garson, who has also worked with Nine Inch Nails, No Doubt and the Smashing Pumpkins.

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